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When Nietzsche called for the establishment of a metaphysical theater capable of healing the existential problems of his time, he helped provoke a revolution in Western theater. Playwrights were inspired to write plays about the audience, about its problems, hopes and fears. Yeats, Artaud, Brecht, Genet, Ionesco and other playwrights presented the abstract forces of modern society in a form which permits the spectator to contemplate them and find ways to master them.
A bestseller when it was published in 1970 at the height of the Mexican-American civil rights movement, Chicano unfolds the fates and fortunes of the Sandoval family, who flee the chaos and poverty of the Mexican Revolution and begin life anew in the United States. Patriarch Hector Sandoval works the fields and struggles to provide for his family even as he faces discrimination and injustice. Of his children, only Pete Sandoval is able to create a brighter existence, at least for a time. But when Pete's daughter Mariana falls in love with David, an Anglo student, it sets in motion a clash of cultures. David refuses to marry Mariana, fearing the reaction of his family and friends. Mariana, pregnant with David's child, is trapped between two worlds and shunned by both because of the man she loves. The complications of their relationship speak volumes -- even today -- about the shifting sands of racial politics in America. In his foreword, award-winning author Rubn Martnez reflects on the historical significance of Chicano 's initial publication and explores how cultural perceptions have changed since the story of the Sandoval family first appeared in print.
This book is a fulfillment of the dream of the sage of transcendentalism, Ralph Waldo Emerson and B.F.Skinner to demystify the workings of the human mind, with reference to ability, interest, Talents and creative endowments. It discusses creativity as the central focus in every field of study, economy and thereby ushers mankind into the emergence of the creative age revolution.