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The Pulitzer Prize-winning author of "Peter the Great, Nicholas and Alexandra, "and" The Romanovs "returns with another masterpiece of narrative biography, the extraordinary story of an obscure young German princess who traveled to Russia at fourteen and rose to become one of the most remarkable, powerful, and captivating women in history. Born into a minor noble family, Catherine transformed herself into Empress of Russia by sheer determination. Possessing a brilliant mind and an insatiable curiosity as a young woman, she devoured the works of Enlightenment philosophers and, when she reached the throne, attempted to use their principles to guide her rule of the vast and backward Russian empire. She knew or corresponded with the preeminent historical figures of her time: Voltaire, Diderot, Frederick the Great, Empress Maria Theresa of Austria, Marie Antoinette, and, surprisingly, the American naval hero, John Paul Jones. Reaching the throne fired by Enlightenment philosophy and determined to become the embodiment of the "benevolent despot" idealized by Montesquieu, she found herself always contending with the deeply ingrained realities of Russian life, including serfdom. She persevered, and for thirty-four years the government, foreign policy, cultural development, and welfare of the Russian people were in her hands. She dealt with domestic rebellion, foreign wars, and the tidal wave of political change and violence churned up by the French Revolution that swept across Europe. Her reputation depended entirely on the perspective of the speaker. She was praised by Voltaire as the equal of the greatest of classical philosophers; she was condemned by her enemies, mostly foreign, as "the Messalina of the north." Catherine's family, friends, ministers, generals, lovers, and enemies--all are here, vividly described. These included her ambitious, perpetually scheming mother; her weak, bullying husband, Peter (who left her lying untouched beside him for nine years after their marriage); her unhappy son and heir, Paul; her beloved grandchildren; and her "favorites"--the parade of young men from whom she sought companionship and the recapture of youth as well as sex. Here, too, is the giant figure of Gregory Potemkin, her most significant lover and possible husband, with whom she shared a passionate correspondence of love and separation, followed by seventeen years of unparalleled mutual achievement. The story is superbly told. All the special qualities that Robert K. Massie brought to "Nicholas and Alexandra" and "Peter the Great" are present here: historical accuracy, depth of understanding, felicity of style, mastery of detail, ability to shatter myth, and a rare genius for finding and expressing the human drama in extraordinary lives. History offers few stories richer in drama than that of Catherine the Great. In this book, this eternally fascinating woman is returned t
Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright--and its violation--a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries--and their history is essential to understanding today's battles. "The Copyright Wars"--the first major trans-Atlantic history of copyright from its origins to today--tells this important story.Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? "The Copyright Wars" describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. The book also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world's intellectual property policeman in the late twentieth. As it became a net cultural exporter and its content industries saw their advantage in the Continental ideology of strong authors' rights, the United States reversed position on copyright, weakening its commitment to the ideal of universal enlightenment--a history that reveals that today's open-access advocates are heirs of a venerable American tradition.Compelling and wide-ranging, "The Copyright Wars" is indispensable for understanding a crucial economic, cultural, and political conflict that has reignited in our own time.
Amateurs versus professionals - a social history and memoir of English cricket from 1953 to 1963. The inaugural Gentlemen v. Players first-class cricket match was played in 1806, subsequently becoming an annual fixture at Lord's between teams consisting of amateurs (the Gentlemen) and professionals (the Players). The key difference between the amateur and the professional, however, was much more than the obvious one of remuneration. The division was shaped by English class structure, the amateur, who received expenses, being perceived as occupying a higher station in life than the wage-earning professional. The great Yorkshire player Len Hutton, for example, was told he would have to go amateur if he wanted to captain England. GENTLEMEN & PLAYERS focuses on the final ten years of amateurism and the Gentlemen v. Players fixture, starting with Charles Williams' own presence in the (amateur) Oxbridge teams that included future England captains such as Peter May, Colin Cowdrey and M.J.K. Smith, and concluding with the abolition of amateurism in 1962 when all first-class players became professional. The amateur innings was duly declared closed. Charles Williams, the author of a richly acclaimed biography of Donald Bradman, has penned a vivid social-history-cum-memoir that reveals an attempt to recreate a Golden Age in post-war Britain, one whose expiry exactly coincided with the beginnings of top-class one-day cricket and a cricket revolution.